Edmonton Opera wrapped its 59th season with four intimate performances of an apt sacred work on the cusp of the Christian Holy Week. Artistic director Joel Ivany programmed Pergolesi’s 1736 treatment of the 13th-century hymn Stabat Mater to cap off his first full...
With Pacific Opera Victoria’s latest mounting of Mozart’s Così fan tutti (seen April 12), the company continues its long run of gathering excellent individual voices and melding them into glorious ensembles. Vocally, this Così was superb and made a great case for...
Canadian tenor Jean-Philippe Lazure is in Winnipeg this week preparing to sing Ferrando in Manitoba Opera’s reimagined “Canuck-rendition” of Mozart’s Così fan tutte. We caught up with Lazure to reflect on the beginning of his operatic career, what it means to be brave with music & more.
Our Artist of the Week is Chinese mezzo-soprano Hongni Wu. This week, she’s in Victoria, BC preparing to make her Canadian debut as Dorabella in Pacific Opera Victoria‘s Così fan tutte. She sits down with us to reflect on her career as an opera singer — favourite opera houses, how she prepares to get into character and more.
Canadian baritone Iain MacNeil gives us a tour of scenic Frankfurt, sharing his favourite go-to spots and activities, from a “crispy honky tonk” bar in the heart of Alt-Sachsenhausen to harvesting wild Bärlauch.
New Music Edmonton (NME), founded in 1985, under a different name, by the Canadian composer Violet Archer, promotes contemporary composition in the broadest sense, and its mandate includes introducing Edmonton audiences to artists beyond the city’s local preserve. On...
Hungarian composer Béla Bartók wrote only one opera, Bluebeard’s Castle (A kékszakállú herceg vára). Since its premiere in 1918, it has become a 20th Century classic and a staple of the standard repertoire, one that’s regularly staged by opera companies around the...
Our Artist of the Week is internationally acclaimed Canadian tenor Colin Ainsworth. He is in Toronto this week, opening Opera Atelier‘s long-awaited production of Handel’s The Resurrection singing the role of Saint John. We caught up with him to reflect on his career in opera, roles that had the greatest impact on him, dad jokes and more.
When we look at the future of the performing arts, we need to delve deeper into what inspires private donations from patrons.
Rising star Tunisian-Canadian mezzo-soprano Rihab Chaieb is our Artist of the Week. Her 2022/23 season is a busy one, filled with anticipated returns and debuts. This week, she is in Geneva opening the world premiere of Christian Jost’s Journey of Hope/ Voyage vers l’espoir at Grand Théâtre de Genève singing La mère Meryem (running until April 4).
Of the Sea; libretto by Kanika Ambrose, music by Ian Cusson, premiered at the Bluma Appel Theatre on Saturday evening. It’s a co-production of Tapestry Opera and Obsidian Theatre and it has its origins in Tapestry’s 2018 LibLab which led to a co-commission from the...
![Metropolitan Opera Falstaff “Everything about [Rustioni’s] deft, graceful, shipshape account of this infinitely rewarding score seemed unobtrusively right”](https://operacanada.ca/wp-content/smush-webp/2023/03/Fals_1435_C-400x250.jpg.webp)
Since its unveiling at London’s Royal Opera in 2012, Robert Carsen’s temporal transplant of Verdi’s Falstaff from the latter years of one Queen Elizabeth’s reign to the early years of another’s has delighted audiences in New York (2013), Amsterdam and Toronto (2014),...