A love story that not even death could thwart: providing opera fans a feast of music and colour,...
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Tim Yakimec to step down from Edmonton Opera
Edmonton Opera announced yesterday that General Director Tim Yakimec will depart from the company,...
A strange luxury: Ambur Braid stars in Oper Frankfurt’s intimate, in-concert Ariadne
Taped-off alternating seats and rows combined with strict vaccination and testing requirements so...
Mezzo Megan Latham: Canada’s digital opera Queen
In this time of great uncertainty, art has been a soothing balm to the worries and fears felt by...
VOICEBOX: OIC’s Adriana Lecouvreur: a convincingly intimate take
Cilea’s Adriana Lecouvreur has an implausible and convoluted plot and a performance history as a...
Opéra de Montréal 21/22 season: The Return to Live
The first major Canadian opera company to venture a return to live for the coming season, Opéra de...
Rihab Chaieb on creating new roles in The Phoenix
In our upcoming Summer 2021 issue, contributor Joseph So reviews Houston Grand Opera's recording...
Across the pond: Canadian artists in Munich, Madrid for 21/22
Munich's Bayerische Staatsoper and Madrid's Teatro Real have unveiled their 2021/22 seasons, each...
3 items to add to your Canadian watchlist (plus one to save for later)
Canada's digital operatic output is ever-expanding, and we're here to help you keep track. We've...
Review: Die Fledermaus makes grand return to Rennes, France
After an absence of over 20 years, Johann Strauss Jr.’s La Chauve-Souris (Die Fledermaus) made a...