Between the Parisian museums, theatres and opera houses, when Robert Carsen is in town, it is very...
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Review: Sondra Radvanovsky brings “incredible beauty” to Royal Opera House Andrea Chénier
Composer Umberto Giordano and librettist Luigi Illica stuffed their 1896 opera Andrea Chénier full...
In Conversation: Siobhan Richardson on choreographing sex for the stage
What Is Intimacy Direction? Theatre and opera lovers alike are familiar with the feeling of...
Review: Frédéric Antoun is “noble and sincere” in Opéra Comique’s Manon
When Opéra Comique announced it would be programming Jules Massenet’s Manon (seen May 13th) as...
Review: Shanawdithit is an “effective and accomplished piece of music theatre”
Shanawdithit, with music by Dean Burry and libretto by Yvette Nolan is the story of Shanawdithit,...
Ghost Opera: the ‘Ananke’ and magic behind the May 24 premiere
There are a lot of people working on Ghost Opera--the May 24th world premiere is a collaboration...
In Conversation: Dean Burry and Yvette Nolan: Shanawdithit
In some circles, opera is perceived as a notoriously ‘colonial artform.’ But the creators of...
News: 19/20 Opéra de Québec season announced!
Opéra de Québec announced details of their upcoming 19/20 season on Saturday night at the premiere...
Viewpoint: COC’s La Bohème can convert any non-believer
*tap tap* Is this thing on? Hello everyone. My name is Lydia Perović and I’m here to admit...
Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”
Vancouver Opera’s production of Giacomo Rossini’s La Cenerentola (seen May 1st) hardly put a foot...