The 19/20 Vancouver Opera season has recently been announced, and here's what you can look forward...
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Opera with Fangs: Vera Causa Opera brings Dracula to the stage
An operatic twist on a classic tale is making its way to the stage and it comes with a bite. The...
Review: Canadian Opera Company tackles ‘paradoxical’ Cosí fan tutte
The final Mozart-Da Ponte collaboration, 1790’s Cosí fan tutte, o sia La Scuola degli Amanti...
News: Glenn Gould Prize celebrates Jessye Norman
Through a series of events beginning Feb. 11, 2019, Toronto will be celebrating the life, art and...
News: Edmonton Opera announces 2019/20 season
Big news for Edmonton Opera—on Feb. 2nd they announced their 2019/20 season at opening night of...
Review: Die Walküre times two at TSO and LPO
Experiencing two concert presentations of Wagner’s Die Walküre within a week on two different...
Defying “big pageant” opera: Alexander Neef on the COC’s 19/20 Season
The first thing to know about the 2019-2020 Canadian Opera Company season is this: Parsifal is...
Review: Edmonton Opera’s Hansel and Gretel “enchanting and appropriately ghoulish”
There was a time when ‘opera’ implied a notion of music that unabashedly included the expectation...
News: Canadian Opera Company Announces 19/20 Season
The Canadian Opera Company announced their 19/20 season at a special, ‘season reveal’ event at...
Review: Gerald Finley brings an “aching pathos” to Metropolitan Opera’s Bluebeard’s Castle
To see or not to see: that’s the question posed by Metropolitan Opera’s intriguing pairing of...