For the last production of the season celebrating the 350th anniversary of Opéra national de Paris, Mozart’s Don Giovanni was entrusted to Belgian theatre director Ivo van Hove. Famous for his minimalist stagings and radical innovations at the Toneelgroep, a repertory...
Featured
News: Opéra de Montréal announces screenings of Carmen
Today, Opéra de Montréal released an end-of-season round-up of facts and figures, also looking forward to next season, which will include a cross-Québec screening of the company's recent Carmen production. As mentioned in their press release, "A presentation of...
Review: Robert Carsen “Bausch period” Iphigénie in Paris
Between the Parisian museums, theatres and opera houses, when Robert Carsen is in town, it is very likely that he is up to more than one project if not three or four. In many ways, he is like the great fashion designer Karl Lagerfeld for whom he paid homage in a...
Review: Sondra Radvanovsky brings “incredible beauty” to Royal Opera House Andrea Chénier
Composer Umberto Giordano and librettist Luigi Illica stuffed their 1896 opera Andrea Chénier full of setting-specific details from the French Revolution. All the leading figures of that time are referenced, whether in a major role, a cameo, or in passing. Probably...
In Conversation: Siobhan Richardson on choreographing sex for the stage
What Is Intimacy Direction? Theatre and opera lovers alike are familiar with the feeling of sitting in an audience and uneasily watching an act of sexual violence take place on stage. “Is the performer safe?” we ask ourselves and resume watching uncertainly. For...
Review: Frédéric Antoun is “noble and sincere” in Opéra Comique’s Manon
When Opéra Comique announced it would be programming Jules Massenet’s Manon (seen May 13th) as part of their spring season I was overjoyed. Not only is it one of the most beloved operas of the French Romantic repertoire but it premiered in this very house in 1884 and...
Review: Shanawdithit is an “effective and accomplished piece of music theatre”
Shanawdithit, with music by Dean Burry and libretto by Yvette Nolan is the story of Shanawdithit, last surviving member of the Beothuk people of Newfoundland who died before turning thirty, in 1829. The opera goes beyond simply narrating the last year of...
Ghost Opera: the ‘Ananke’ and magic behind the May 24 premiere
There are a lot of people working on Ghost Opera--the May 24th world premiere is a collaboration between Calgary Opera, the Banff Centre for Arts and Creativity, and the Old Trout Puppet Workshop. That’s why the Greek concept Ananke is how Judd Palmer, co-founder of...
In Conversation: Dean Burry and Yvette Nolan: Shanawdithit
In some circles, opera is perceived as a notoriously ‘colonial artform.’ But the creators of Tapestry Opera and Opera on the Avalon's Shanawdithit don’t believe in the label. After all, examples of opera—any piece of theatre that combines singing, acting, and elements...
News: 19/20 Opéra de Québec season announced!
Opéra de Québec announced details of their upcoming 19/20 season on Saturday night at the premiere of their current production of Verdi’s Nabucco. The season begins on Oct. 19th with Verdi’s classic, La traviata. The cast features a mixture of Canadian veterans and...
Viewpoint: COC’s La Bohème can convert any non-believer
*tap tap* Is this thing on? Hello everyone. My name is Lydia Perović and I’m here to admit publicly that after years—nay, decades—of musical snobbery, I am coming out as a fan of Puccini’s La Bohème. SUPPORT GROUP FOR THE LOVERS OF SENTIMENTAL MUSIC: Hi, Lydia! This...
Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”
Vancouver Opera’s production of Giacomo Rossini’s La Cenerentola (seen May 1st) hardly put a foot wrong. Perfect casting, insightful yet genuinely funny direction by Rachel Peake, witty acting and above all, brilliant singing throughout added up to nearly three hours...












