On Tuesday morning, The International Opera Awards announced their 2019 finalists, and several...
Featured
Review: L’Opéra de Montréal’s Champion offers redemption…in black and blue
What makes a man? His wins? His losses? His mistakes and regrets? His memories? Is it in how he...
Review: Canadian Opera Company Elektra “a rare theatrical perfect storm”
Best productions of Elektra have a lead singer who can make the jagged vocal score sound...
News: Tapestry Opera premieres hybrid Hook Up
A theatrical hybrid is making its way to the stage in late January and it’s not holding back....
News: German bass Wilhelm Schwinghammer takes on Orest in COC’s Elektra
The recent cold snap in Toronto isn’t bothering Wilhelm Schwinghammer. “I’m used to this being...
News: Canadians Jaime Martino and Rebecca Hass in OPERA America Intensive Program
OPERA America has recently announced the 2019 participants for their highly competitive Leadership...
News: Adrianne Pieczonka appointed Vocal Chair of RCM’s Glenn Gould School
The Royal Conservatory announced today that it has appointed internationally celebrated Canadian...
Review: Die Fledermaus a 2018 antidote from Toronto Operetta Theatre
Tired out from the Holiday Season festivities? How about something frivolous, frothy and fun to...
News: Royal Theatre rent hike forces Pacific Opera Victoria’s hand
Rent hikes of up to 160% by Victoria, BC's Royal & McPherson Theatre Society has already...
Review: Festival d’Automne à Paris’ Kopernikus: a “brilliant performance” of Claude Vivier’s “other-worldly, ethereal work”
Kopernikus (Rituel de la mort, 1978-79) was Claude Vivier’s only opera. Seen Dec. 4th at Espace...