Enjoy a snippet from writer Catherine Kustanczy’s feature in our upcoming issue exploring ‘light...
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The New York Times praises Dominique Labelle, 2018 Opera Canada Awards honouree
Our 2018 Opera Canada Awards: The Rubies honoree Dominique Labelle was recognized in a New York...
Review: Karina Gauvin’s “consistently beautiful singing” is the highlight of Glyndebourne’s Saul
Back in the days before we expected Handel’s oratorios to be staged as operas, the smart comment...
Review: BrottOpera’s production brings “artistic strength” to Mozart’s The Magic Flute
After a seven-year absence, fully staged opera returned to FirstOntario Concert Hall for one night...
Review: Royal Opera House’s midsummer Falstaff is “truly a dream”
It’s no secret that Robert Carsen’s production of Falstaff (seen July 13), which premiered at...
Opera Canada Awards—’The Rubies’: Announcing our 2018 Honourees!
Opera Canada is proud to announce the three distinguished honourees who will receive the 2018...
Breaking boundaries at Banff: Chamber Werx brings new take on traditional music
This summer, as part of its Opera in the 21st Century program, the Banff Centre for Arts and...
Review: The Llandovery Castle brings “real emotional power” to premier performance in Toronto
On 27th June 1918, the Canadian hospital ship, HMHS Llandovery Castle, laden with doctors, nurses...
Dora Awards 2018: Orphée scoops big win in opera category
June 26th, 2018: The recipients of the 39th annual Dora Mavor Moore Awards were announced last...
Review: Opera 5’s “simple and successful adaptation” brings new life to Rossini’s Il barbiere di Siviglia
Opera 5’s new production of Rossini’s Il barbiere di Siviglia (seen Jun. 13) proves that a small,...