V. Tony Hauser's new documentary, ARIAS: Canadian Voices of...
Reviews
ATG’s Sāvitri: A feast for the eyes and ears
A love story that not even death could thwart: providing opera fans a feast of music and colour,...
A strange luxury: Ambur Braid stars in Oper Frankfurt’s intimate, in-concert Ariadne
Taped-off alternating seats and rows combined with strict vaccination and testing requirements so...
VOICEBOX: OIC’s Adriana Lecouvreur: a convincingly intimate take
Cilea’s Adriana Lecouvreur has an implausible and convoluted plot and a performance history as a...
Review: Die Fledermaus makes grand return to Rennes, France
After an absence of over 20 years, Johann Strauss Jr.’s La Chauve-Souris (Die Fledermaus) made a...
Review: Megan Latham finesses the shifts in POV’s Bon Appetit! & The Italian Lesson
Oh the agony: to see a practically perfect chocolate cake made right in front of you but not be...
Rossini at play: an “ingenious staging” of Barber of Seville out of Opéra de Québec
Due to the pandemic, the last opera to be performed in Québec City was La traviata in October...
Opera Atelier’s The Resurrection is resplendent art in the face of adversity
George Frideric Handel’s The Resurrection is really an oratorio in name only. Discounting its...
Emily D’Angelo earns ovation in ROH Clemenza
Mozart's La clemenza di Tito is currently undergoing a process of reappraisal by reinterpretation,...
Canadians create “highlight” of SFO’s The Adlers: Live at the Drive-In
San Francisco Opera (SFO), like so many musical organizations, has countered the pandemic closure...