Happy Birthday, Mr. Rigoletto!
Canadian baritone Louis Quilico would have been 96 today. He had the kind of career that most...
Collector’s item alert: our 60th anniversary issue
It's the understatement of the century to say that 2020 was...action-packed. Amid it all came an...
City Opera Vancouver’s “The Human Voice” streamed in nightly webisodes
City Opera Vancouver presents its first online opera, with The Human Voice, an adaptation of the...
Opera Canada wants your requests! Please!
Hi, Canadian opera lovers! Jenna here. You might know me from Opera Canada's social media...
Tapestry Opera Announces their Winter 2021 Season
Following a 2020 season of digital and live shows that reached over 5,000 pairs of eyes and...
Perryn Leech: Exclusive Interview with COC’s new General Director
“Collaboration” might be the most important word in Perryn Leech’s vocabulary. The new General...
Opera Canada: Our team’s 2020 roundup
As 2020 draws to a close, the Opera Canada team offers their personal reflections on the most...
Opinion: How can diverse identities experience Messiah?
An old professor of mine startled me recently, asking, “What’s it like singing Messiah as a Jewish...
Review: Messiah/Complex joyfully proves beauty of a vast ‘Canadian’ experience
I feel I must preface this review with the confession that I have never--not ever--seen a...
Lived Experience: Transgender opera singers still fear coming out and losing work
The November 2020 opening of Orchestre Classique de Montréal’s production of Laura Kaminsky, Mark...
