Cerise Jacobs is Full of Revelations in Her New Opera, REV. 23
PREVIEW: of the world premiere production of the Cerise Jacobs/Julian Wachner opera REV. 23, at...
The Judas Passion: Sally Beamish and David Harsent offer new perspectives
Librettist David Harsent notes that there is no doubt that Judas’s betrayal led to Christ’s death,...
A night at the opera with Armando Iannucci: the agony, the ecstasy – the giant rotating antlers
The V&A is about to launch its giant show Opera: Passion, Power and Politics. In this...
Vancouver Opera sings a different tune
Vancouver Opera presents dramatic works onstage, but there has been some drama offstage as the...
SMCQ 2017-2018 Season – Long live today’s music!
Montréal, Septembre 20, 2017 – Société de musique contemporaine du Québec (SMCQ) begins its Homage...
She Falls from a Tower Shaped Like a Dagger
A splendid new co-production of Puccini’s Tosca by Opéra de Montréal and the Cincinatti Opera...
Letters: Sir Peter Hall obituary
Meirion Bowen writes: Peter Hall played a key role in rescuing the reputation as an opera composer...
Mark Padmore on festivals, lieder and musical conversations
Regional music and arts festivals continue to proliferate, so I ask Padmore what it is that makes...
In order to stay relevant, opera in Australia needs to tackle its demons
Unveiling her final program for Opera Queensland, Lindy Hume reflects on the transformative power...
Opéra de Montréal’s Tosca Emphasizes Realism and the Score
The Opéra of Montréal will open its 2017-18 season with an all-time classic: Tosca by Giacomo...
