Reviews
Scriabin: 2nd symphony and piano concerto (Lawo classics)
What did Alexander Scriabin have in common with Donald J. Trump? Small hands, that’s what. Scriabin’s 1897 piano concerto was an instant hit with similarly endowed artists, although it also won approval from Sergei Rachmaninov, whose mitts were mega-sized. Despite...
Aida opens the season at ENO
Writing of McDermott’s Satyagraha in 2010, one of my colleagues wrote, ‘There are so many amazing imagesin this production that it’s hard to take them all in at once’. Here, it’s more a case of the are so many diverse visual images that it’s hard to make them come...
Aida review – power and passion marred by a few duff notes
Coliseum, London Phelim McDermott’s new production for ENO features some virtuoso turns and preserves the tragedy’s air of mystery, but at times lacks cohesion English National Opera’s new production of Aida is the work of Phelim McDermott, whose previous stagings for...
La Traviata in San Francisco
Romanian soprano Aurelia Florian sings Violetta in all ten performances (through October 17). She is young and pretty, her voice is strong and rich throughout all registers, and her high notes are splendid (she does not take the optional high E flat in the “Sempre...
Review: Meet the Young Artists, COC Ensemble Studio, Four Season’s Centre for the Performing Arts, Toronto, Sept. 26, 2017
For the past 12 years, the annual ‘Meet the Young Artists’ recital that kicks off the Canadian Opera Company’s Free Concert Series has signalled the start of the opera season in Toronto. On September 26, the latest crop of uber-talented Canadian opera singers and...
Review: Operettts, St. Lawrence Centre for the Arts, Toronto, Sept. 23, 2017
Did you ever wonder what happens when three tenors share the concert stage? Operettts—the three ‘t’s standing for each tenor—offered a gleefully amusing answer in the form of a rivalry between three divos all on one stage, performing operetta’s greatest hits. This...
Review: Star Singers Lift a Muddled ‘Norma’ at the Metropolitan Opera
Bellini’s 1831 opera “Norma,” which opened the Metropolitan Opera’s season on Monday, is rich in themes that resonate in today’s political and social climate. Brutal, boorish clashes of culture and religion drive the story. The title character, a high priestess of a...
Choral at Cadogan: The Tallis Scholars open a new season
This, and the striking opening of the first piece, Palestrina’s motet Laudate pueri, set me ruminating about nature of an ‘ensemble sound’, and although the following tangential digression might be a little indulgent, it is not irrelevant to my experience and review...
Stars of Lyric Opera 2017, Millennium Park, Chicago
The Lyric Opera Orchestra and the Lyric Opera Chorus, under the direction of Sir Andrew Davis and Michael Black respectively, provided excellent accompaniment. Indeed, several of the selections showcased the talents of both groups as a significant part of this...
Review: A Verlaine Songbook
Today, singers and their pianists are often more willing also to explore repertory by composers who are much less well known. Also, a CD can carry much more music than the typical LP. Carolyn Sampson—an established light soprano—here offers an entire, well-stocked...
Oedipe review – Jurowski makes case for Enescu’s ‘lost masterpiece’
Royal Festival Hall, London The anti-Freudian Oedipus opera may not flawless, but this performance with the LPO was a superb and beautiful achievement The London Philharmonic opened its new season with a concert performance of Oedipe, George Enescu’s only opera, first...
Khovanshchina review – Russia’s tragedy becomes the world’s in compelling revival
Millennium Centre, Cardiff Welsh National Opera mark the centenary of the 1917 revolutions in this chilling, brilliantly designed production of Mussorgsky’s complex opera Welsh National Opera’s new season forms part of Russia 17, Wales’s arts-wide commemoration of the...












