On November 15, 2022, the 2023 GRAMMY nominations were announced. Most notably, Canadian maestro...
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Teatro Nuovo Maometto Secondo “Vancouver native Simone McIntosh, lithe and lovely, whose crystalline high mezzo fully commanded Anna’s wide range”
Patience can be amply rewarded: Teatro Nuovo’s Maometto Secondo, thrice deferred, at last hit the...
Artist of the Week 25 Qs for Josh Lovell
Continuing our recent coverage of Teatro alla Scala’s The Tempest, our Artist of the Week happens to be another notable Canadian debuting in Robert Lepage’s imagerich production, tenor Josh Lovell. He has made a number of exciting house debuts this year, first this summer at Glyndebourne Festival as Ernesto in Don Pasquale and earlier this month, at Teatro all Scala as Ferdinand in The Tempest.
Artist of the Week 24 Qs for Frédéric Antoun
The 2022/23 season will be a busy one for Quebec-born tenor Frédéric Antoun, marking a number of...
Artist of the Week 17 Qs for Lizzy Hoyt
Audiences can look forward to Lizzy Hoyt’s upcoming performance in Manitoba Opera’s La Cenerentola, a mid-century modern-inspired adaption of Rossini’s classic running from November 12-18.
Edmonton Opera Rumbold Vocal Prize Winners Announced
On Saturday, Oct. 29, 2022, Edmonton Opera (EO) held the finale for its first Rumbold Vocal Prize...
I Musici de Montreal Continues Season with “Paris” ft. Valérie Milot & Tania Miller
I Musici de Montreal chamber orchestra continues its season this November, welcoming sought-after Quebec harpist Valérie Milot and renowned Canadian conductor Tania Miller with a Parisien-inspired program that fuses impressionism with romanticism.
Edmonton Opera Tosca Slack, Pomeroy, and Barrett “were uniformly strong, both musically and dramatically”
Edmonton Opera opened its three-show season on October 22 with a compelling production of...
Artist of the Week 27 Qs for Karen Slack
Our Artist of the Week is internationally acclaimed Philadelphia-born soprano Karen Slack, who...
Metropolitan Opera Lady Macbeth of Mtsensk Maestro Keri-Lynn Wilson “masterfully captured not just the score’s cornucopia of arresting sonorities but its vibrant pulse”
Some operas have grown on me over the years; some productions have, too. Lady Macbeth of Mtsensk...