Announcing their first edition of a new program, Amplified Opera has been named the...
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L’orangeraie interpretation takes racist turn at Chants Libres
I can't believe that it's 2021, one week after the U.S. swore in its first woman and first person...
Opera’s big week in history: Cinderella, Puritans, & love triangles, oh my!
It's a big week for opera birthdays, readers! On January 25, 1817, Rossini's La Cenerentola...
Women in Musical Leadership Program Chooses Inaugural Conductors
Canadians Juliane Gallant and Jennifer Tung have been announced as the first conductors to join...
Brett Polegato: “The arts will have lost far more than it gains…”
This is the first in a new series of Q&As with the artists of Canada's opera scene. After our...
Taking a bow: curtain calls for your voice type
Note: this article was originally published on Schmopera.com, and is being reprinted here with...
An open letter to a rude bunch of operagoers
This article was originally published on Schmopera.com in 2017. It is being reposted here with the...
The play’s the thing: Opera in Concert’s new Cocteau-Poulenc double-bill
VOICEBOX: Opera in Concert is making an exciting debut into the digital world, with its upcoming...
Canadians at the Met: what’s on in January
This month, get Canadian about your Nightly Met Opera Streams! We're into weeks 45 and 46 - can...
Faces in the crowd: opera’s supernumeraries
Note: this article was originally published in 2017 on Schmopera.com, and is being reprinted here...