The COC's Hansel & Gretel (seen Feb. 6th) gives Englebert Humperdinck’s classic 1893 opera a Toronto twist, with benchmark vocal performances and an uncompromisingly creative staging that only rarely misses the mark. It is difficult to imagine a fairy tale more...
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Under 30? We’ve got a special offer for you…
Anyone who says opera is old-fashioned just isn’t paying attention. We love that there’s an amazing, vital, and engaged community of young opera fans here in Canada. You’re the ones championing our artists and the work they do. You're literally the future of opera!...
Edmonton Opera announces their 2020/21 season
Edmonton Opera announced their 2020/21 season today and here are the exciting details! EO kicks off their 2020/21 season when La Bohème comes to the Northern Alberta Jubilee Auditorium on Oct. 24, 27 & 30, 2020 in a revival of their 2010 production. The cast...
Hansel and Gretel: COC’s new Toronto-based staging
Canadian Opera Company is gearing up for their staging of Hansel and Gretel, a classic German opera that will be given a modern-day Toronto twist. The COC’s production, the fourth in their 2019-2020 season, is set in a present-day Toronto apartment complex brought to...
Barber of Seville at the COC: Take Two!
Romeo and Juliet should have had Figaro the Barber helping them to escape and run away together just as Rosina and Count Almaviva do in The Barber of Seville. Clever and funny, Canadian Opera Company’s The Barber of Seville (seen Jan. 19th) is a comedy portraying two...
Written on Skin at Opéra de Montréal: A Cold Fascination
With Written on Skin, composer George Benjamin and librettist Martin Crimp have fashioned a svelte opera, as effective as a scalpel. With brisk 90-minute pacing, a small cast, and persuasive and accessible music, you could call it shrewd—political psychodrama for the...
The Barber of Seville at COC: money talks
There is one thing a Count and a hairdresser share, something that has the power to unite them toward a singular goal. You might think that thing is love, but you would be wrong. It is, in fact, money. In Canadian Opera Company’s The Barber of Seville (seen Jan....
The Gypsy Baron offers strong singing at TOT
Toronto Operetta Theatre’s (TOT) The Gypsy Baron by Johann Strauss II (seen Dec. 28th) is about as silly as one might expect from a Viennese operetta of the period. It’s a tale of righted wrongs, tangled love affairs, heroism, hidden treasure and pigs. Also, hot...
Best Opera of the Decade: Opera Canada’s Definitive List
As this long decade comes to a close, we at Opera Canada look back at the best operas of the decade. Cataloging 10 years worth of opera from across the world is no small task. So we reached out to our contributors, and asked them to reflect on their favourite opera of...
Drag, opera, and how their marriage shatters convention
“My voice teacher was verbally abusing me,” explains Emily Bilton, drag artist and opera alum. "I ended up failing my third-year recital by 2 percent. I had to get a 65 and I got a 63. And the only explanation they could give me was that my tone wasn’t what they...
Figaro’s silver screen dazzle at Champs Elysées
Hollywood film director James Gray, winner of the Golden Lion for his film “Little Odessa” (1994) and nominated several times for the Palme d’Or in Cannes, claims that directing Mozart’s Le nozze di Figaro was one of the “artistic highlights of his career.” It also...
AtG Figaro’s Wedding: fun with philandering fiancés
Against the Grain's (AtG) Figaro’s Wedding takes the Mozart opera off the stage and to an events hall at Enoch Turner Schoolhouse, going all in on the wedding of the century! Like a dork’s day at a Renaissance fair, the roll-out for this production and the subsequent...












