Few operas can have enjoyed a splashier premiere than Francesca Caccini’s Alcina. In the Florence...
![The Little Opera Company The Magic Flute: The Trials of Tamino and Pamina “a testament to [John] Greer’s sensitive artistry”](https://operacanada.ca/wp-content/uploads/2023/07/IMG_9609.jpg)
The Little Opera Company closed its 2022/23 season with a bite-sized version of Mozart’s great singspiel, Die Zauberflöte, featuring Canadian composer John Greer’s compact, 90-minute adaptation titled The Magic Flute: The Trials of Tamino and Pamina performed in English.
![Boston Early Music Festival Circé “no one knows the nuances of French baroque style better than [Karina Gauvin] does.”](https://operacanada.ca/wp-content/uploads/2023/06/2023-06-03-Circe-dress_8-1.jpg)
“Wort oder Ton?”: which has the upper hand, the words or the music? That centuries-old debate, as...
It was a banner month of June for Canadian singers in the UK. First, mezzo Simone McIntosh proudly...
The glorious history of Richard Strauss's Die Frau ohne Schatten at the San Francisco...
Manitoba Underground Opera surfaced this spring with its ambitious new 2023 festival titled...
How often does an opera audience seem united by one big, heady communal high? That was the feeling...
Pour sa première production, en 1985, L’Opéra de Québec avait choisi Madama Butterfly. Repris en...
On paper, the Canadian Opera Company’s Pomegranate, the opera about lesbian love and loss was...
With more than three decades in the field, Robert Carsen is celebrated in Europe and America alike...
