Richard Jones’s Rodelinda returns to ENO
An indignant sense of unjust usurpation was probably just as prevalent in Hanoverian London...
Review: Canadian Opera Company’s Centre Stage Gala featuring the Ensemble Studio Competition, Nov. 1, 2017
On Nov. 1, 2017, the Canadian Opera Company presented its annual Centre Stage Gala featuring the...
Rodelinda review – top-notch cast embrace dark vision of Handel
By: George Hall for the Guardian (UK) Coliseum, London In its original 1724 form, Handel’s opera...
Sondra Radvanovsky gives a flawless recital
Reviewing a concert given by an artist with a voice like the stentorian soprano Sondra...
The Genius of Purcell: Carolyn Sampson and The King’s Consort at the Wigmore Hall
Framed at the centre of the platform by bass violist Reiko Ichise and theorbo player Lynda Sayce,...
Review: Purcell’s Dido and Aeneas; Rolfe’s Aeneas and Dido, Oct. 21, 2017
To open its 17/18 farewell season on October 21, Toronto Masque Theatre presented a double bill of...
