La Tragédie de Carmen review – opera on an unforgivingly small scale
Wilton’s Music Hall, London Peter Brook’s take on Bizet squeezes all the famous tunes into...
The 2017 Glyndebourne Tour arrives in Canterbury with a satisfying Così fan tutte
Hytner’s elegant production is a smooth slow-burner: everything unfolds with subtlety and...
The Consul review – Menotti’s clunky opera resists Guildhall’s best efforts
Guildhall School of Music and Drama, London A talented team do their best to breathe life...
Lucia di Lammermoor review – bloody and convincing
Royal Opera House, London Katie Mitchell’s intelligent production of Donizetti’s opera -...
Richard Jones’s Rodelinda returns to ENO
An indignant sense of unjust usurpation was probably just as prevalent in Hanoverian London...
Review: Canadian Opera Company’s Centre Stage Gala featuring the Ensemble Studio Competition, Nov. 1, 2017
On Nov. 1, 2017, the Canadian Opera Company presented its annual Centre Stage Gala featuring the...
