The Little Opera Company wrapped up its 2017/18 season with British theatre director Peter Brook’s...
Angie Bell
Review: In Paris Opera’s L’heure espagnole Michèle Losier shows off her “sharp comic timing”
Fourteen years after its first run at the Palais Garnier in 2004, French director Laurent Pelly's...
Review: Vancouver Opera’s Eugene Onegin—the audience went wild
Vancouver Opera’s production of Eugene Onegin, the mainstay of the 2018 Vancouver Opera Festival,...
Review: Canadian Opera Company’s Anna Bolena struggles to ignite dramatic sparks
There are operas whose musical and dramatic brilliance does not show signs of ever running out, hundreds of years into their production history. Then there are operas which make you wonder if the art form is deader than a museum piece.
Review: Toronto Operetta Theatre’s season-ending Beautiful Helen a rip-roaring Grecian romp
Toronto Operetta Theatre ends its 17/18 season with the popular French operetta, La belle Hélène...
Review: Pacific Opera Victoria’s Rinaldo the original operatic mashup!
The creators of recent mashups of history and science fiction or literature and fantasy, such as...
New production: Rolfe & Panych’s The Overcoat: A Musical Tailoring
In each issue of Opera Canada our 'New Production' feature highlights a significant new staging or...
Review: Edmonton Opera’s “theatrically ambitious and uncompromising” Don Giovanni
It took a while to understand why the Edmonton Opera season-ending production of Mozart’s Don...
Review: Canadian Opera Company’s Nightingale “Parable on the supremacy of nature over artifice? Not so fast.”
Canadian Opera Company’s nine-year-old production of Stravinsky’s shorts, The Nightingale and...
Letter from Vienna Photo Gallery—Spring Issue Preview!
[vc_row][vc_column][vc_column_text]In our upcoming spring issue, due to be released the first week...