Over the past few months I have contacted people in and out of the opera business to try to ascertain how Opera Canada can better serve our readership, Canadian artists, and our homegrown opera companies.

Over the past few months I have contacted people in and out of the opera business to try to ascertain how Opera Canada can better serve our readership, Canadian artists, and our homegrown opera companies.
The Canadian Art Song Project (CASP) is pleased to announce the second Chung Wai Chow and John...
Pacific Opera Victoria’s Carmen finally opened on October 12, 2022, after multiple COVID-caused...
Is Luigi Cherubini’s Medea—or Médée, to cite the opéra-comique original of 1797—a prima-donna...
Twelve singers from Commonwealth countries around the world are on their way to Birmingham in...
Our Artist of the Week is sought-after, Newfoundland-born tenor Adam Luther—alumnus of the...
After almost three years in virtual drydock, the Canadian Opera Company launched its 2022/23...
Eight years after their débuts in Leo Delibes's Lakmé, Sabine Devieilhe and Frédéric Antoun...
The latest release in the CD/book series from the Palazetto Bru Zane is Meyerbeer’s 1831 grand opera Robert le Diable.
The Canadian Opera Company has announced that Canadian compsoer Cecilia Livingston will be the company’s new Composer-in-Residence.