The George London Foundation Competition, one of opera's oldest and most prestigious competitions...
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The Cardinal Diaries: A New Year & Uneasy Sense of Déjà Vu
It’s Chapter 6 of Lauren Margison‘s series, The Cardinal Diaries: A New Year & Uneasy Sense of...
World Premieres, Classics & Canadian Bass-baritones: San Francisco Opera unveils 2022/23 season
San Francisco Opera’s upcoming 2022/23 centennial season is a celebration of the company’s past...
Marie-Nicole Lemieux debuts Charlotte in Montpellier Opera’s Werther
With its sumptuous melodies coupled to a tale of unrequited love culminating in a dramatic suicide...
A Canadian opera rarity: Latvian National Opera presents Kalniņš’ Hamlet
Shakespeare’s play Hamlet is available in more than 75 languages, so discovering there is a...
Florie Valiquette ‘is vibrant’ in Théâtre des Champs Elysées’ La Vie Parisienne
Offenbach's La Vie Parisienne is perfect holiday fare, bubbly, joyful, and whimsical, especially...
Viewpoint: Is Canadian opera headed for another shutdown?
For live performance in Canada—and here I’m including Canadian opera, ballet, ‘straight’ theatre,...
#BehindtheCurtain: Jonelle Sills: “Keep moving forward”
In our newest, exclusive Q&A series #BehindtheCurtain, we're going 'backstage' to ask Canadian...
Opéra de Montréal’s The Mixtape features Canadian stars & young artists
Following the success of its live concert La compilation – The Mixtape, Opéra de Montréal has made...
#BehindtheCurtain: Philippe Sly: “Be charitable in your listening”
In our newest, exclusive Q&A series #BehindtheCurtain, we're going 'backstage' to ask Canadian...