Every year the Atelier Lyrique holds auditions to find the operatic talents of the future. This year they are betting on a slightly new formula: Talent 2017. Instead of holding the entire audition process behind closed doors, the public can assist (with the purchase...
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Opera Canada visits Manitoba Opera! Nov. 13, 2017
While visiting a prematurely wintry Winnipeg this past weekend, I had the pleasure of meeting with Larry Desrochers, General Director and CEO of Manitoba Opera and their Director of Marketing, Darlene Ronald. They took me on a backstage tour of the Centennial Concert...
Review: La Cenerentola, Opéra de Montréal, Nov. 11, 2017
Nowadays, it seems even stagings of comic operas are enamored with minimalism, skewing toward a neutral palette of black, white, and grey. So how refreshing it was to revisit Catalonian director Joan Font and his maximalist Cenerentola, which explodes with all the...
Review: L’enfant et les sortilèges & Trouble in Tahiti, Opera North, Theatre Royal, Nottingham, Nov. 2 & 3, 2017
It would be difficult to imagine a more hard-working company than Britain’s Opera North. To Nottingham’s Theatre Royal they brought touring productions of six short operas split into double bills – on the two nights I saw (November 2 and 3), performed with real...
Review: Singing Stars: The Next Generation—IRCPA, Nov. 6, 2017
At Zoomer Hall (the performing space of 96.3 New Classical FM) on Nov. 6, I had the pleasure of attending a concert involving ten young artists, under the auspices of IRCPA, short for International Resource Centre for Performing Artists. For the avid opera fan,...
Review: Calixa Lavallée’s The Widow, Toronto Operetta Theatre, Nov. 5, 2018
Is Canada’s own ‘Merry’ Widow really Canadian at all? Marketed as Canada’s own ‘Merry’ Widow, referencing Franz Lehar’s famous German operetta The Merry Widow, Toronto Operetta Theatre’s single performance of Calixa Lavallée’s The Widow (presented in hounour of...
Review: Missing, City Opera Vancouver, Nov. 3, 2017
Missing, a co-commission by City Opera Vancouver and Pacific Opera Victoria, opened at Vancouver’s York Theatre on Nov. 3 and moves to Victoria for an already sold-out run on the 17th. A courageous commission, yes, but also canny: COV and POV must have put out feelers...
Review: Canadian Opera Company’s Centre Stage Gala featuring the Ensemble Studio Competition, Nov. 1, 2017
On Nov. 1, 2017, the Canadian Opera Company presented its annual Centre Stage Gala featuring the Ensemble Studio Competition. The order and wording of this title is not without significance. The evening is as much about the glittering, fundraising dinner that takes...
‘The Rubies’: 17th Edition of the Opera Canada Awards, Oct. 30, 2017
On Mon. Oct. 31, Opera Canada Publications held its 17th annual Opera Canada Awards, a.k.a. the 'Rubies'. Each year, this event honours three outstanding contributors to opera in Canada, or those who further the cause of Canadians working in opera abroad. The 2017...
Review: Les Feluettes Edmonton Opera, Oct. 21, 2017
Canada has produced few large-scale, ‘grand’ operas, and Edmonton Opera, just recently emerging from almost fatal financial difficulties, has previously staged just one main stage 21st century opera, John Estacio’s Filumena. Les Feluettes (Lilies), which centres on a...
Review: Purcell’s Dido and Aeneas; Rolfe’s Aeneas and Dido, Oct. 21, 2017
To open its 17/18 farewell season on October 21, Toronto Masque Theatre presented a double bill of Henry Purcell’s Dido and Aeneas and Aeneas and Dido, a new work with music by James Rolfe and libretto by André Alexis. Specializing in the artistic fusion of music,...
Singing Stars: The Next Generation—IRCPA
Ten young professional singers have been selected to perform in Singing Stars: The Next Generation, Nov. 6 at Zoomer Hall, Toronto, presented by the International Resource Centre for Performing Artists, a service organisation for Canada’s musicians. The 10 singers are...












