For the first time in its 18-year history, the 2018 Rubies is honouring one of its own. Fittingly...

For the first time in its 18-year history, the 2018 Rubies is honouring one of its own. Fittingly...
Hadrian, Rufus Wainwright’s all-new operatic creation, is days away from hitting the main stage....
Soprano and vocal pedagogue Dominique Labelle feels honoured to receive one of this year’s Opera...
Less is not always more, especially in opera staging and design, but director Robert Carsen and...
The availability of live-streamed and on-demand opera has exploded in the last five years. Major...
Opera Canada Awards 2018 honouree, Alexander Neef, is in a thoughtful mood as he looks back on his...
Is there a more problematic opera for the #MeToo era than Rigoletto? As yet another wealthy,...
Jani Lauzon’s I Call myself Princess (seen Sept. 13th) skilfully weaves together two stories. The...
City Opera Vancouver opens its 2018 season this week with a new production of the classic '90s...
The trouble with Paul Bunyan is that the music is too good. If Benjamin Britten hadn’t been...