In each issue of Opera Canada our 'New Production' feature highlights a significant new staging or...
Featured
Review: Edmonton Opera’s “theatrically ambitious and uncompromising” Don Giovanni
It took a while to understand why the Edmonton Opera season-ending production of Mozart’s Don...
Review: Canadian Opera Company’s Nightingale “Parable on the supremacy of nature over artifice? Not so fast.”
Canadian Opera Company’s nine-year-old production of Stravinsky’s shorts, The Nightingale and...
Call for writers
We’re looking for new writers! Opera Canada is dedicated to delivering the latest news, reviews...
Review: Canadian divas Jane Archibald & Adrianne Pieczonka conquer Carnegie Hall
It must have been a simple coincidence that the English Concert’s semi-staged Rinaldo happened on...
Letter from Vienna Photo Gallery—Spring Issue Preview!
[vc_row][vc_column][vc_column_text]In our upcoming spring issue, due to be released the first week...
Review: Opéra de Montréal’s Svadba “provokes maximum aesthetic pleasure”
Svadba continues until March 31st at Montréal's Espace Go In my early 20s, a boyfriend introduced...
Calgary Opera announces innovative 18-19 season under new GD Keith Cerny
This evening at 8 pm MST Calgary Opera unveiled their first new season under recently-appointed...
Start-up Vera Causa Opera is all-inclusive
On April 6th, the new, emerging company, Vera Causa Opera, based in Waterloo, Ontario will...
Review: Life Imitates Art in Scintillating Die Fledermaus, Glenn Gould School, Toronto
For winter-weary Toronto opera lovers in need of a feel-good show, the Royal Conservatory of...