Reviews

_{Pacific Opera Victoria Carmen} Mezzo Carolyn Sproule “a stand-out” in the title role

by Robin J. Miller | Oct 14, 2022 | Featured, Reviews

Pacific Opera Victoria’s Carmen finally opened on October 12, 2022, after multiple COVID-caused...

_{The Metropolitan Opera Medea} “Sondra Radvanovsky, giving one of the most fully immersive performances I’ve ever seen on an opera stage”

by Patrick Dillon | Oct 13, 2022 | Featured, Reviews

Is Luigi Cherubini’s Medea—or Médée, to cite the opéra-comique original of 1797—a prima-donna...

_{Canadian Opera Company The Flying Dutchman} A “gripping performance” to open the season

by Wayne Gooding | Oct 10, 2022 | Featured, Reviews

After almost three years in virtual drydock, the Canadian Opera Company launched its 2022/23...

_{Opéra Comique Lakmé} “Sabine Devieilhe and Frédéric Antoun triumph”

by Denise Wendel-Poray | Oct 8, 2022 | Featured, Reviews

Eight years after their débuts in Leo Delibes's Lakmé, Sabine Devieilhe and Frédéric Antoun...

_{ALBUM: Robert le Diable Palazetto Bru Zane} “a milestone in the history of opera that should be heard by anyone with an interest in the development of the genre”

by John Gilks | Oct 4, 2022 | Featured, Reviews

The latest release in the CD/book series from the Palazetto Bru Zane is Meyerbeer’s 1831 grand opera Robert le Diable.

_{San Francisco Opera Eugene Onegin} “Few opera productions live as long and travel as widely as this one has”

by John Bender | Sep 29, 2022 | Featured, Reviews

When Tchaikovsky based his lushly Romantic, quite personal, opera on Alexander Pushkin's then...

_{Tapestry Opera Box Concerts} “A lovely way to spend a Sunday afternoon”

by Joseph So | Sep 20, 2022 | Featured, Reviews

If you’re a die-hard Toronto voice/opera fan like yours truly, you may well have heard of “Box...

_{Ashkenaz Festival Bas-Sheve} A Curious Yet Worthy Addition to the Operatic Canon

by Joseph So | Sep 8, 2022 | Featured, Reviews

It’s not everyday that opera fans get to experience a premiere, let alone a Yiddish opera that had...

_{Highlands Opera Studio Eugene Onegin} “An exciting era of new talent”

by Dawn Martens | Sep 7, 2022 | Featured, Reviews

Highlands Opera Studio’s return to a full season with masterclasses, concerts, community events,...

_{Manitoba Underground Opera 2022 Summer Festival} For Better or for Worse Thoughtful Boundary-Pushing Programming

by Holly Harris | Sep 6, 2022 | Featured, Reviews

Manitoba Underground Opera took a deep dive into the bonds of matrimony this summer with its 2022...

_{Pacific Opera Victoria Carmen} Mezzo Carolyn Sproule “a stand-out” in the title role

_{The Metropolitan Opera Medea} “Sondra Radvanovsky, giving one of the most fully immersive performances I’ve ever seen on an opera stage”

_{Canadian Opera Company The Flying Dutchman} A “gripping performance” to open the season

_{Opéra Comique Lakmé} “Sabine Devieilhe and Frédéric Antoun triumph”

_{ALBUM: Robert le Diable Palazetto Bru Zane} “a milestone in the history of opera that should be heard by anyone with an interest in the development of the genre”

_{San Francisco Opera Eugene Onegin} “Few opera productions live as long and travel as widely as this one has”

_{Tapestry Opera Box Concerts} “A lovely way to spend a Sunday afternoon”

_{Ashkenaz Festival Bas-Sheve} A Curious Yet Worthy Addition to the Operatic Canon

_{Highlands Opera Studio Eugene Onegin} “An exciting era of new talent”

_{Manitoba Underground Opera 2022 Summer Festival} For Better or for Worse Thoughtful Boundary-Pushing Programming

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