There’s a faction of Edmonton Opera supporters who would love to see an operetta every time they come to the Jubilee Auditorium—if not something by Gilbert and Sullivan, at least a production of The Merry Widow or Die Fledermaus. And those folks got their wish on Feb....
Angie Bell
Special Preview: Another Sunrise and Farewell, Auschwitz, The Electric Bond Opera Ensemble
Toronto-based company The Electric Bond Opera Ensemble present two one-act operas, Another Sunrise and Farewell, Auschwitz, both by American composer Jake Heggie, on Feb. 10th and 11th. The program centres around Krystyna Zywulska, the Polish dissident, writer and...
Five Canadians are Finalists in The International Opera Awards, Jan. 29, 2018
This morning, the International Opera Awards revealed their 2018 finalists, five of them renowned Canadian artists. Opera Canada correspondent, Victoria Stappels, is also a jury member. The Awards will be presented at the London Coliseum by BBC Radio 3 on April 9th...
Review: Heggie’s Moby-Dick with Roger Honeywell, Utah Opera, Jan. 20, 2018
In composer Jake Heggie’s operatic treatment of Moby-Dick, there are significant obstacles when taking on the role of Captain Ahab. The entire part has to be sung on one leg, the other resting uncomfortably on a peg replacing the limb that the irascible captain lost...
Review: L’elisir d’amore, Vancouver Opera, Jan. 21, 2018
It has been nearly twenty years since L’elisir d’amore graced the Vancouver Opera stage, so the return of Donizetti’s ever-popular 1832 Tristan-und-Isolde-meets-Much-Ado-About-Nothing confection in this colourfully kinetic staging was eagerly anticipated. This...
Review: Ravel’s L’enfant et les sortilèges, Berlin Philharmonic’s Digital Concert Hall, Jan. 21, 2018
When it comes to the live presentation of both orchestral as well as operatic works, the Berlin Philharmonic Digital Concert Hall seems to exist in a league of its own. The service, which can be accessed on a one-time basis or via subscription, allows access to the...
Canadian Opera Company announces 18/19 season headed by Rufus Wainwright’s Hadrian
This morning at 10 a.m. E.S.T. the Canadian Opera Company released its plans for the 18/19 season. The highlight has to be the much-talked about premiere of Canadian singer/songwriter Rufus Wainwright's new opera Hadrian. When the COC first announced this commission...
Review: Four Note Opera, Erato Ensemble, Vancouver, Dec. 9, 2017
What does an opera lover do on a raw December night in Vancouver, with no opera on the visible horizon until the new year? You grab at a ‘four note’ opera, as four are better than none! On Dec. 9 at the Orpheum Annex, Erato Ensemble presented Tom Johnson’s hilarious...
Review: Barbe & Doucets’ La belle Hélène, Hamburg State Opera, Dec. 31, 2017
One good parody deserves another. And so it was with the Hamburg State Opera’s revival of Barbe & Doucet’s 2014 production of Offenbach’s three act opéra bouffe, La belle Hélène (seen Dec. 31, 2017, the third of six performances, playing until Jan. 19)....
Review: Julie Boulianne in Massenet’s Werther, Oper Frankfurt, Dec. 30, 2017
Massenet's Werther (seen at Oper Frankfurt on Dec. 30, 2017), based on Goethe’s epistolary novel The Sorrows of Young Werther written in Wetzlar near the author’s native Frankfurt, is one of those timeless operas which has enriched the coffers of opera houses the...
Review: Against the Grain Theatre’s BOUND, Toronto, Dec. 15, 2017
BOUND is Against the Grain Theatre at its best, blending old and new in an immersive operatic experience. With BOUND, Founder & Artistic Director Joel Ivany and Founding Member & Music Director Topher Mokrzewski have created a troubling exposition of an...
Review: Premiere of Richardson-Schulte & Chattertons’ Shot, Hamilton Philharmonic Orchestra, Dec. 7, 2017
It was a tale of two D’Arcy McGees as the Hamilton Philharmonic Orchestra presented a double bill of Dermot Nolan’s play, It’s Morning Now followed by the premiere of HPO composer-in-residence Abigail Richardson-Schulte’s chamber opera, Shot, in The Studio at...












