Is Luigi Cherubini’s Medea—or Médée, to cite the opéra-comique original of 1797—a prima-donna...
New York City’s rich opera and theatre scene is back in full swing after the long pandemic silence; Patrick Dillon explores its awakening.
I’d very much missed Opera Lafayette, whose annual visits to New York from its homebase in...
I’d thought I was arriving early for a three o’clock Sunday matinee—but no, in frustrating fact I...
Don Carlo, in Italian, not Don Carlos, in French—that’s how I, like nearly everyone who loves this...
So much press hoopla has been lavished on the Met’s two new operas, Terence Blanchard’s Fire Shut...
In the midst of a brutal cold spell that left millions of Texans without power, heat, and water,...
[vc_row][vc_column][vc_column_text]Laurent Pelly’s drab production of Massenet’s Manon will never...
It must have been a simple coincidence that the English Concert’s semi-staged Rinaldo happened on...
