Of the Sea; libretto by Kanika Ambrose, music by Ian Cusson, premiered at the Bluma Appel Theatre on Saturday evening. It’s a co-production of Tapestry Opera and Obsidian Theatre and it has its origins in Tapestry’s 2018 LibLab which led to a co-commission from the...
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Metropolitan Opera Falstaff “Everything about [Rustioni’s] deft, graceful, shipshape account of this infinitely rewarding score seemed unobtrusively right”
Since its unveiling at London’s Royal Opera in 2012, Robert Carsen’s temporal transplant of Verdi’s Falstaff from the latter years of one Queen Elizabeth’s reign to the early years of another’s has delighted audiences in New York (2013), Amsterdam and Toronto (2014),...
OPERA PLACES Soprano Emily Dorn takes us to Montreal
This week, Canadian soprano Emily Dorn is in Montreal singing the role of Margarita Xirgu in Opéra de Montréal’s Ainadamar. Join us as she gives us a tour of beautiful and scenic Montreal, from vibrant street art to the most peaceful place in the city. Ainadamar runs until March 26.
Artist of the Week 17 Qs for Karina Gauvin
Canadian soprano Karina Gauvin is our Artist of the Week. This week, Gauvin sings The Human Requiem (Brahms’s Requiem) alongside Canadian baritone Joshua Hopkins with the Colorado Symphony conducted by Canadian-American Peter Oundjian (performances run from March 24 to 26).
Artist of the Week 24 Qs for Elizabeth Polese
Our Artist of the Week is Toronto-born soprano Elizabeth Polese. This weekend, she makes her role debut with Opéra de Montréal singing Nuria in Osvaldo Golijov’s Ainadamar running March 18 to 26. She sits down with us to reflect on life as an opera singer—the ups and downs, lessons learned, favourite places she’s worked, and more.
Metropolitan Opera Lohengrin “musically this was indeed a classy show”
I didn’t much care for his Parsifal, and I liked his Flying Dutchman even less, but at the first intermission of Canadian François Girard’s new Metropolitan Opera Lohengrin (2 March) I had high hopes for its success. Tim Yip’s set was striking—what looked to be some...
Winter 2022/23 Print Issue Stage Business: Charlotte Lee—Propelling Artist Careers
Charlotte Lee founded Primo Artists in 2015; the classical music artist management agency repress A-list artists like Itzhak Perlman, Joshua Bell, and Wynton Marsalis.
Winter 2022/23 Print Issue New On The Scene: Brian Cho
Our Winter print issue’s ‘New on the Scene’ artist is collaborative pianist, Brian Cho, who is currently in the Canadian Opera Company’s Ensemble Studio Program.
OPERA PLACES Mezzo Soprano Marion Newman takes us to Anchorage
Kwagiulth and Stó:lō First Nations mezzo soprano Marion Newman is currently in Anchorage, Alaska rehearsing for Anchorage Opera’s production of Missing, opening March 10. In this OPERA PLACES, Newman takes us to some of her favourite spots!
Artist of the Week 26 Qs for Aviva Fortunata
Our artist of the week is Calgary-born soprano Aviva Fortunata. This week she makes her role and company debut with Sarasota Opera singing Elvira in Verdi’s Ernani. She sat down with us to reflect on her career in opera, stage mishaps and the best advice she’s ever received.
Opéra National de Paris Peter Grimes “perhaps one of the best opera productions of the last decade”
Benjamin Britten's Peter Grimes, directed by Deborah Warner at the Paris Opera this season, was perhaps one of the best opera productions of the last decade. Contributing to this was the phenomenal alignment of major stars from Warner to the Canadian stage designer...
Winter 2022/23 Print Issue Business Experts Interpret Opera: Julie Hansen of Salesforce
As Global Executive Advisor at Salesforce JULIE HANSEN’S success is tied to her ability to apply cross-disciplinary expertise to simplify complex problems.


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