There was a shorter gap than usual between Edmonton Opera productions in this truncated season. Only two months ago, the company staged a solid three-night run of La bohème. On March 19, it opened a new production of Mozart’s Così fan tutte, with sundry newcomers to...
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Best in Show: Canada’s Opera Pets featuring France Bellemare, Dominique Côté & Ambur Braid
In this next instalment of her encounters with opera people and their pets, Dawn Martens meets dogs with a keen sense of fashion and looking good, hears tales of heritage chickens that came to a violent end, and ponders the reason why otherwise music-loving animals...
Almost complete Don Carlos in French at the Met at last
Don Carlo, in Italian, not Don Carlos, in French—that’s how I, like nearly everyone who loves this noblest of operas, first made its acquaintance. This Schiller-inspired melding of romantic and political intrigues at the court of Spain’s Philip II remains my most...
Glenn Gould School surprises with a fresh take on Handel’s Rinaldo
The Royal Conservatory of Music Glenn Gould School spring opera was Handel’s Rinaldo or, perhaps more accurately, director Tom Diamond’s Rinaldo. It was a fairly radical and effective reworking of the original that provided on-stage roles for all the students of the...
AMPLIFY 1.0: Amplified Opera raises difficult questions about opera itself
AMPLIFY 1.0 from Toronto-based Amplified Opera was a series of three shows on aspects of “toxicity” in opera. There were three performances, with two of the three shows performed at each. The venue was Jeffrey Gibson’s installation I AM YOUR RELATIVE at the Museum of...
UBC Opera’s Shadow Catch conjures Oppenheimer Park in the Old Auditorium
Shadow Catch premiered in December 2011, at Vancouver’s Firehall Arts Centre as part of the Vancouver Pro Musica’s Further East/Further West series. It was a fitting location for the work’s debut since the FAC is mere blocks from the much-historied Downtown East...
Canadian Opera Company’s Fantasma: a haunting return to live performance
The Canadian Opera Company returned to live performance Mar. 9 with the world premiere of Fantasma by composer Ian Cusson and librettist Colleen Murphy. The piece, written with young audiences in mind, was staged in the newly named Canadian Opera Company Theatre...
Tapestry Opera makes a welcome return to live performance with Songbook XI
Songbook XI on the evening of Mar. 11 marked Toronto-based Tapestry Opera’s first performance in front of a live audience since Jacqueline in January 2020. It was the usual Songbook format. Fifteen singers, rather remarkably including two countertenors, and three...
Amplified Opera is live again with concert series, AMPLIFY 1.0
Amplified Opera returns to live performance in March with AMPLIFY 1.0, a concert series performed at the Museum of Contemporary Art (MOCA) within Jeffrey Gibson's installation, I AM YOUR RELATIVE. The concert series features three separate programs - MisogyME,...
Give your opera knowledge a test – complete our crossword puzzle!
Ever wanted to test your opera knowledge? Here's your chance! In our new crossword series, Lauren Margison is taking a closer look at opera - its terminology, origins & celebrated artists. So the next time someone asks you, "Hey, what's the name of the first...
Pacific Opera’s The Garden of Alice: formidable cast in a brave new genre
Pacific Opera Victoria’s film version of Canadian composer/librettist Elizabeth Raum’s The Garden of Alice, seen on a big screen at the Royal Theatre Feb. 24, is an odd creature. Sophisticated in some ways, naive in others; like Alice, more than a little uncertain...
Canadian, Ukranian & International artists unify in Art for Peace, Fundraising Concert
Canadian opera collective Opera InReach is calling on artists to share their voices in an upcoming streamed concert, Art for Peace, which will raise support for those impacted by the ongoing crisis in the Ukraine. The concert will take place on March 15 at 6:30pm EST,...












