It’s Chapter 5 of Lauren Margison‘s series, The Cardinal Diaries: A Case of The "Post Show" Blues! If you missed the first four instalments, you can read them here: chapter one, chapter two, chapter three, and chapter four. Below, our titular soprano grapples with a...
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Vancouver Opera returns with “imaginative” Orfeo ed Euridice
The Queen Elizabeth Theatre was packed on December 4 for Vancouver Opera’s first live staging since COVID-19 hit in early 2020. It was the first of only two performances of the company premiere of Christoph Willibald Gluck’s 1762 Orfeo ed Euridice. An interesting...
Robert Carsen’s Osud at Janáček Brno Festival: “a progressive step”
Leoš Janáček is Canadian director Robert Carsen’s favourite composer. He admires him especially for his intensely dramatic operatic style. Where other composers become more expansive when they set words to music, Janáček uniquely becomes more concise. It was fitting,...
Oper Frankfurt’s Bernd Loebe flags loss of audiences due to closures
Readers familiar with the pages of Opera Canada will know how many Canadian artists make their careers within Europe's system of state-subsidized opera companies. But even at these well-funded organizations, there is considerable financial concern over the continued...
Loose Tea Music Theatre administrative boost including Tim Crouch as General Manager
Loose Tea Music Theatre (LTMT) has announced the building of a new team, with three positions that are brand new for the organization: the appointment of Tim Crouch as the new General Manager, Rochelle Smith as Director of Marketing, and Francesco Corsaro as Director...
Toronto Operetta Theatre Returns with Straus, Offenbach & Rose
Toronto Operetta Theatre (TOT)'s General Director Guillermo Silva-Marin has announced the company's return with a live 2021/22 season that offers a mix of operetta classics and Canadian — and World — Premieres. A Waltz Dream will open the season, followed by Orpheus...
Sarah Marie Kramer is ‘luxuriant’ in Longborough Festival’s Die Walküre
Britain has an established tradition of “country house opera,” with almost a dozen companies offering summer festivals in or around more-or-less stately homes in rural settings. Glyndebourne is the model and the pre-eminent link in the network, but others, including...
10 Messiah productions you don’t want to miss!
The curtains are finally lifting. Holiday festivities - and productions - are live, once again. In contrast to last year's predominantly digital celebrations, relaxed pandemic restrictions have allowed Canadian presenters to open their doors and bring live music to...
#BehindtheCurtain: Wallis Giunta: “You’re not alone”
In our newest, exclusive Q&A series #BehindtheCurtain, we're going 'backstage' to ask Canadian opera artists to share their journey and what inspires them. In this installment, Irish-Canadian mezzo-soprano Wallis Giunta shares a moment in her career when she faced...
Pacific Opera Victoria announces their 2022 return to live
Pacific Opera Victoria (POV) has announced its return, with a 2022 season that offers a mix of live and digital performances. Staged and filmed productions of Carmen and Don Giovanni will open the season, complemented later by two more screened productions, The Garden...
Calgary Opera honours Bob McPhee, renames its artist development program
Calgary Opera has renamed its artist development program to honour the late W.R. Bob McPhee, past General Director and CEO of Calgary Opera, and 2015 Rubies Honouree. The program will now officially be named the McPhee Artist Development Program. During McPhee's...
AtG & COC’s Requiem reimagines a Mozart classic
Against the Grain Theatre (AtG) has collaborated with the Canadian Opera Company (COC) to present a timely film that reinterprets Mozart's enduring classic. Requiem reflects a musical passage out of the darkest days of the global pandemic towards hope and a brighter...












